![]() But what Besson creates is a world just on the cusp of causing its own destruction. When we think of a dystopian future world, one which is corrupted and collapsing, we think that we should see blocks of gray, mounds of rubble, and desolate lands. It is the great joke of capitalism’s technological advantages, that every advancement only succeeds in making more clutter on the earth’s surface. Clearly the invention of the hover car did not prevent traffic, it only allowed humanity to fill the skies with more vehicles and more roads. It’s levels and levels of hover cars in a traffic build up that is stories high. She plummets into layers of traffic, an extreme version of our reality. The scene is held in our minds by the composition between her supple natural skin, and the unnatural cacophony of this polluted world. Leeloo’s dive into the city is not only stunning because of the gymnastic beauty of a scantily wrapped model body flying through the sky. Besson’s dystopic masterpiece has, in a way, become victim to its own success. More discourse has surfaced in the past years discussing the epic fashions of The Fifth Element than have discussed its depiction of the climate crisis. ![]() When we think of The Fifth Element, the first images that come to mind are Jovovich’s orange hair and matching suspenders or Chris Tucker in a tight leopard print number-even the golden arch uniform of MacDonald's servers appears before the polluted depiction of earth. In a sad twist of fate, Besson’s art is too close to its imitation of life, something that revisiting the film on its 25th anniversary makes hauntingly clear. Whether you love or loathed the looks of the Met Gala, the glitzy celeb-filled red carpet event still-depressingly-garnered as much, maybe even more, commentary online than the news that Roe v. The fashion of Fifth Element is so iconic that, much like our societal celebrity obsession, it often distracts the viewer from the grim reality of Earth that director Luc Besson created. Jean Paul Gaultier’s colorful constructions add to the bright world that Besson creates, one of extremes the luxurious and the impoverished, the grandiose and the desperate. Twenty-five years on from the film’s cinematic release, the Gaultier bandage look has since been recreated countless times, with homages even appearing on RuPaul’s Drag Race: All Stars. ![]() Leeloo’s ( Milla Jovovich) epic dive into a sea of traffic is the iconic moment of The Fifth Element that lingers in every one’s mind after their first viewing.
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